Categories
2019 new releases

Allison Miller, Quinsin Nachoff’s Flux, Jon Lundbom & Big Five Chord, Christoph Irniger, and Miho Hazama

Allison Miller – Glitter Wolf (Royal Potato Family) 

Accomplished drummer/composer Allison Miller’s Boom Tic Boom project returns with the follow up to 2016’s first-rate Otis Was A Polar Bear with an even more cohesive set in Glitter Wolf. The group, audibly strengthened by a heavy touring schedule, has revealed the elusive pot of gold at the end of the rainbow that can only come from technically advanced performances within the realm of serving the music.

Miller, along with violinist Jenny Scheinman, cornetist Kirk Knuffke, clarinetist Ben Goldberg, bassist Todd Sickafoose and pianist Myra Melford has assembled a quilt of so many of the elements that make music worthwhile: hooks galore, frisky Frisell-ian melodies, optimal expressivity, swinging grooves, and astounding execution. Taking inspiration from the #MeToo Movement and Black Lives Matter, Boom Tic Boom are operating on a much-appreciated spiritually conscious level that belies so much of the divisive trash heap that is 2019 existence in the US. On top of all that, the recording, produced by Julie Wolf (“glitter wolf”?) at Fantasy Studios in Berkeley, CA is masterfully present and virtually tangible.

Check Miller’s site regularly as she is nearly always bringing her thing to the people in a town near you. GW is a total blast, and I can only imagine it would be even more rewarding to experience live!

learn more at Miller’s site and Royal Potato Family and buy at your local record store, bandcamp, or Amazon

 

 

Quinsin Nachoff’s Flux – Path of Totality (Whirlwind Recordings)

The title of the sophomore release from Quinsin Nachoff’s Flux, Path of Totality, takes its name from the moon’s total eclipse of the sun back in 2017, an event that brought the world together in observation of a fleeting totality of darkness. Likewise, the moniker of the group, “Flux”, meaning “continuous change”, hints at an optimism that, no matter how dire our socio-political conditions might become, nothing is permanent. The bass-less core of the group is saxophonist David Binney and pianist/keyboardist Matt Mitchell, with drumming duties split between Kenny Wollesen and Nate Wood. They are joined on various tracks by a handful of guest musicians including trombonist Ryan Keberle and trumpeter Matt Holman.

PoT is profoundly heavy music with a staggering amount of commitment behind it, evident from the complex compositions, arrangements, and playing. Flux stretches out within these extended and multi-layered jams – a mere 6 tracks run over 2 hours – leaving the listener with an epic Beowulfian journey’s sense of completion at its end. All of the elements I love about the longform works of Charles Mingus, George Russell, or John Coltrane are present on PoT: thematic development, improvisational prowess, melodic richness, masterful arranging, pan-genre, and harmonic depth.

This is an important set of pieces expertly composed and performed for our time. One could, and should, spend considerable time with PoT and discover new stratums of excellence with each visit. Bravo, Flux.

learn more at Whirlwind Recordings and buy at your local record store, bandcamp, or Amazon

 

 

Jon Lundbom & Big Five Chord – Harder on the Outside (Hot Cup Records)

Halfway through its second decade as a band, Jon Lundbom’s Big Five Chord have taken a new approach to composition. Guitarist Jon Lundbom and saxophonist Bryan Murray worked with samples from previous Big Five Chord tunes and other Hot Cup Records-released source material, crafting them into beats around which new tunes were created. Then saxophonist Justin Wood, bassist/producer Moppa Elliott, and drummer Dan Monaghan were brought in to flesh out the material, resulting in Harder on the Outside.

According to the press release, “the title can be taken at least four different ways: (1) as metaphor for one’s personality “hardening” with age; (2) as a political statement, about alienation due to rising fascism and xenophobia; (3) as a statement about purity in free/”outside” music/improvisation; and (4) as fact, that it’s really hard to make an album when you live in Austin and the rest of your band is in New York.” Regardless, Harder on the Outside is the sound of old friends having a blast making music, which ultimately is what it’s all about.

The unique creative process used to produce HotO seems to have rejuvenated Big Five Chord seeing as all involved delivered terrific performances. It would come as no surprise to see this approach used more and more in the future, given the success here.

learn more at Lundbom’s site and Hot Cup Records and buy at your local record store or Amazon

 

 

Christoph Irniger Pilgrim – Crosswinds (Intakt Records)

On their third album together as a quintet, Christoph Irniger’s Pilgrim sounds as if they are judiciously exploring the two (or more) sides of the same coin: each piece is both bright and dark, spacious and crowded, heavy and light, subtle and evident, electric and acoustic, etc, etc.

In the disc’s liner notes, Irniger explains, “Most of the music I write at the moment is about the duality or plurality in things… the compositions are mostly based on sparse materials, even if there are several parts. The idea is to have one story or context, and to show different emotions or pathways. Some is composed, some freely improvised, but always painted as a song.” Irniger and comrades guitarist Dave Gisler, pianist Stefan Aeby, drummer Michi Stulz, and bassist Raffaele Bossard have crafted a poised artistic statement with Crosswinds…a statement that is made both loudly and quietly.

Like Newton’s third law of motion or a delicious plate of food, Crosswinds is undeniably balanced, with compositions and playing that are both restrained and free, and the result is 100% appealing. This is some of the most engaging music to be released this year.

learn more at Intakt Records and Irniger’s site and buy at your local record store, bandcamp, and Squidco

 

 

Miho Hazama – Dancer in Nowhere (Sunnyside Records)

Miho Hazama is a skate park architect whose immaculate designs are with some of the most agile and daring athletes in the world in mind. Hers is the beautiful and inspiring space where art and science meet, a space once occupied by the likes of Duke Ellington or Gil Evans.

Quickly following up last year’s impressive The Monk : Live At Bimhuis, Dancer in Nowhere is Hazama’s third outing with her “m_unit”, the celebrated and versatile 13-piece chamber ensemble. This set also features a top-shelf roster of guest talent including guitarist Lionel Loueke, saxophonist Steve Wilson, drummer Nate Wood and vocalist Kavita Shah. No surprise, the performances throughout DiN are at the highest level of technical excellence and Hazama’s tunes and arrangements are magnetic. The title track and album closer is especially ebullient, featuring dizzying pyrotechnics from drummer Nate Wood. Describing the musical expressiveness on display in the track, Hazama said, “There are times when you feel something, but you can’t really describe it in words… I started wondering if I could somehow describe this through music. Not necessarily a struggle or something negative: it could be happiness, fear, passion, energy. The challenge of capturing these things became a theme for me.”

It continues to be encouraging to see a gifted artist putting out work that improves upon his/her previous work. It seems as though, nearly a decade into an already remarkable career, Hazama is just getting started.

learn more at Hazama’s site and Sunnyside Records and buy at your local record store, bandcamp, or Amazon

Categories
2018 releases

Poline Renou, Mattieu Donarier, and Sylvain Lemêtre, Ingrid Jensen and Steve Treseler, Matthew Golombisky’s Cuentos, Wolfgang Muthspiel, and PJ5

Poline Renou, Mattieu Donarier, and Sylvain Lemêtre – Adieu Mes Très Belles (Yolk Records)

Following an impeccably recorded and drop-dead gorgeous solo vocal intro by Polline Renou, just as Sylvain Lemêtre’s hand drumming commences with a gripping rhythm, the stage is set for something very distinct. For the duration of Adieu Mes Très Belles, the captivating new recording by the aforementioned two musicians with clarinetist Mattieu Donarier, the thrall never lets up.

The unlikely pairing of Medieval plainchant and European Renaissance chanson and balladry with advanced 21st century improvisational techniques, as well as a deeply ruminating overall atmosphere not often on display from an acoustic trio makes AMTB, without a doubt, one of the most fascinating recordings of 2018. So very economical, so very efficient, so very expressive, and so very effecting, this trio traverses territory over which major metropolitan orchestras routinely stumble.

I can’t help but think that many people who read this type of blog would be way into this kind of singular project, but who knows, maybe it’s too perplexing for some listeners of creative music to enter uncharted waters. Naturally, I hope not…Regardless, a note to self: go back and check out Poline Renou and Matthieu Donarier’s Kindergarten project, because, as David Letterman used to say, I’ll take all of this you’re selling!

learn more at Yolk Records and buy at your local record store or Amazon

 

 

Ingrid Jensen and Steve Treseler – Invisible Sounds: For Kenny Wheeler (Whirlwind Recordings)

The music of Kenny Wheeler is a beautiful confluence of the harmonic language developed by the masters of the past like Ellington, Mingus, and Miles AND the singularly innovative restlessness of Monk and Braxton. It’s no wonder that musicians of such considerable agency as trumpeter Ingrid Jensen and reedsman Steve Treseler felt compelled to pay tribute to the fairly recently deceased iconoclast.

Jensen’s crack band of pianist Geoffrey Keezer, bassist Martin Wind, and drummer Jon Wikan were brought on board for Invisible Sounds, and to stellar effect. All of the melancholy, spunk, and even madness of Wheller’s compositions were conveyed in the animated playing of all involved, including guest saxophonist, and Ingrid’s sister, Christine Jensen, as well as vocalist Katie Jacobson.

If artists don’t seize the opportunity of allowing the vision of another artist to actually breathe in tribute, that tribute is a blunder. Jensen, Tresler and company have not fallen into this all too-common trap and have instead stayed true to Wheeler’s aesthetic approach by making his music their own on Invisible Sounds. Well done, indeed!

learn more at Whirlwind Recordings and buy at your local record store, bandcamp, or Amazon

 

 

Matthew Golombisky’s Cuentos – Volume 3 (ears & eyes records)

Composer, bassist, and prime mover Matthew Golombisky returns with another wonderful set of Cuentos (Spanish for “short stories”) with Volume 3, this time set in Chicago, Il. The idea with his Cuentos is that Golombisky writes a terse motivic framework with minimal guidelines around which a group of improvisers would briefly converse on their instruments – most pieces run around three or four minutes. This time around he has convened in Chicago, Il with some of the best of the best: longtime collaborator, drummer Quin Kirchner, trombonist Naomi Moon Siegel, trumpeter James Davis, and saxophonist Dustin Laurenzi.

Keeping with the tradition begun with last year’s Volume 1 & 2, there are no names given to the pieces, only numbers, freeing the listener of preconceptions or artistic intent. That said, one couldn’t help but sense pathos within much of the material on Volume 3, as if the resultant musical discussions quickly turned to the current political climate in the U.S.   The good news is that it’s not a bummer, at all. To the contrary, I take solace in these terse meditations, like a maritime prayer or a healing lamentation.

At any rate, there is no shortage of beauty to be made through the Cuentos approach, particularly in the hands of Matthew Golombisky and his astutely chosen compatriots. Let’s hope he continues this process of documenting his travels with fresh batches of these cuentos for years to come.

learn more at ears&eyes and buy at your local record store or at bandcamp

 

 

Wolfgang Muthspiel – Where The River Goes (ECM Records)

What happens when you assemble five of the most accomplished musicians on earth to record for one of the most prestigious record labels of the past 40 + years? Loaded question, for sure, but one that can only be answered when the leader of said project is revealed. In this case, it is guitarist and composer Wolfgang Muthspiel, author of some of a few of the finest records of the past decade or so. In a word, the answer is sublime.

The accomplished ones are Ambrose Akinmusire, Brad Mehldau Larry Grenadier, and Eric Harland, and the label is ECM…I mean, come on. All parties do precisely what they are capable of, and the result is a jaw-dropping collection of originals by group members, mostly penned by Muthspiel. Therein lies the X-factor: great ingredients can be unpalatable in the hands of a poor chef. Simply put, I love Muthspiel’s tunes and his approach to and priority placed on space. His musical sweet spot is a magical elixir.

It’s almost odd for me to have to say this, but you need to buy this record and spend significant time with it. Just trust me on this one.

learn more at ECM Records and buy at your local record store or Amazon

 

 

PJ5 – I Told the Little Bird (Jazz & People)

I have enjoyed French guitarist Paul Jarret and his band PJ5 since I heard their 2016 release, Trees. I can’t quite put my finger on what kind of music this band makes: it is at times very accessible, danceable even; their methodology reflects a wide array of influences without succumbing to any one of them for too very long – the music bears it’s sharp teeth one moment and the next it displays a resplendently patient Scandinavian-like sensitivity. Somehow, it all works without sounding contrived or novel, and with I Told the Little Bird, the group has taken another step forward with a suite of pieces tied together with the grandparent of all themes: the circle of life.

The five core members of Jarret, saxophonist Maxence Ravelomanantsoa, trombonist Léo Pellet, bassist Alexandre Perrot, and drummer Ariel Tessier, have all returned and are in fine form, augmented by guests Jozef Dumoulin on the Fender Rhodes and vocalist Isabel Sörling. It is commendable that PJ5’s top priority remains the compositions rather than virtuosic playing.

It’s refreshing to hear emotionally charged pieces (titles include “The Nest”, “Peaceful Struggle”, and “Cycles: The Soil”) performed without a trace of smugness or irony. Although they never answered the question posed in track nine, “Where Do Butterflies Sleep”, it becomes apparent that as in most good art, it is not the answer but the question that is of the primary importance.

learn more at Jazz & People and buy at your local record store, bandcamp, or Amazon