Categories
2019 new releases

Hifiklub, Alister Spence and Satoko Fujii’s Orchestra Kobe, Lansing McLoskey and The Crossing, Yonathan Avishai, and Gerald Cleaver, Nels Cline, and Larry Ochs

Hifiklub – E Lisboa (Shhpuma Records)

Having already shown proficiency in collaboration with high profile acts likes Lee Ranaldo, Christian Fennesz, and Mike Watt, French ensemble Hifiklub turn their sights on the exceptionally resourceful and varied Portuguese music scene. Thus was born E Lisboa, an album the tone of which approaches Crime and the City Solution or early Bad Seeds territory, which also happens to be precisely my headspace of late.

Guitarists Jean-Loup Faurat and Nico Morcillo, bassist Régis Laugier, and drummer Anthony Belguise have brought aboard a wide array of talent from the western Iberian Peninsula including Rafael Toral, Bernardo Devlin, Carlos Zingaro, and experimental duo Von Calhau to concoct an inspired document of pan-genre exploration. To paraphrase the inimitable Os Mutantes, it’s time now for me to learn Portuguese…so I can understand the lyrics on this record. Regardless, there is an emotional depth to the work here that is undeniable, culminating in the idyllic wash of the album closer “Continuar Sem Fim”, of which I could use at least an additional hour.

Shhpuma have become one of the most reliable hosts of excellent new sounds from around the globe and the release of E Lisboa is no exception. Incidentally, there are some very cool session videos on Hifiklub’s website that are worth checking out to experience some of their recording process.

learn more at the cool Hifiklub site, Clean Feed Records, and Shhpuma Records and buy at your local record store or at Squidco

 

 

Alister Spence and Satoko Fujii’s Orchestra Kobe – Imagine Meeting You Here (Alister Spence Music)

Just a handful of months after the release of the terrific collaboration Intelsat, Alister Spence and Satoko Fujii return with Imagine Meeting You Here, this time backed by Orchestra Kobe and captured at the Big Apple jazz club in Kobe Japan.

Penned by Spence as part of his doctoral work, IMYH is a five-part composition for improvising orchestra and it is a stunning amalgam of so many of the things that intrigue about music making in the 21st century – it has teeth, it leaves ample room for thoughtful improvisation, it is the result of teamwork on a large scale, and it throws the notion of genre to the wind. As Spence has said, “I was trying to create what I considered to be a balanced work in terms of energies and weight, tempo, rhythm, my ideas versus the ensembles ideas”. He has achieved just that, utilizing to great effect the considerable talent and dedication of Fujii and the Orchestra Kobe.

It is safe to say that the Spence / Fujii partnership is a winning combination, and bringing in Orchestra Kobe is a homerun that seems to come around only once in a lifetime. If you are a fan of the large-scale works of George Russell, Gil Evans, or Charles Mingus IMYH will most likely be your bag.

learn more at Alister Spence Music and buy at your local record store, CD Baby or Amazon

 

 

Lansing McLoskey / The Crossing – Zealot Canticles (Innova Recordings)

If I had to name one category of music that thoroughly compels me, it might be religious. From Sufi music of Damascus to Washington Phillips, and from the Alabama Sacred Harp Convention to a muezzin’s call to prayer in Chefchaouen, Morocco, there is an unrivaled passion and certainty in delivery that only faith can bring.

Lansing McLoskey conveys this sense of conviction on Zealot Canticles, a collection of 20 hymns of sorts, with libretto from the work of Nigerian human rights advocate and Nobel Prize winner, Wole Soyinka. Composed by McLoskey during the 2016 US presidential campaign and election, ZC is effectively a prayer of tolerance, denouncing religious and political fanaticism: a meditation on the fine line between piety and extremism. The music is at times energized, contemplative, enchanting, and jarring. It is also always stunning. Devotedly performed by commissioning chamber choir The Crossing, and conducted by Donald Nally, ZC is no doubt a profoundly spiritual work, and one that gains in depth with each successive listen.

McLoskey has created imperative art for 2019, as we see hate crimes on the rise and a general sense of entitlement for extremists to say or do whatever they please, and with impunity. If great artists are supposed to be the voice for the greater good of a harmonious society, McLoskey is certainly doing the work of a great artist.

learn more at Innova Recordings or McLoskey’s site and buy at your local record store or Amazon

 

 

Yonathan Avishai – Joys and Solitudes (ECM Records)

Now more than ever, I am drawn to music that is efficient in content and delivery: less has become more in a profound way, particularly when presented succinctly. So, when pianist, composer, and longtime friend and collaborator with trumpeter Avishai Cohen, Yonathan Avishai says, “I saw at some point that I become more expressive with less notes”, my interest is piqued.

Turns out, he is speaking truth, as evidenced by his new trio release, Joys and Solitudes. His “Modern Times Trio”, featuring bassist Yoni Zelnik and drummer Donald Kontomanou, is the perfect vehicle to bring this minimalist vision to life. All the tunes are Avishai originals save for Ellington’s “Mood Indigo”, of which the trio takes ownership through the magical process of reduction. Perhaps, as he has suggested, this aesthetic was inspired by his early exposure to kabuki theater while growing up in Japan. In any case, although minimal, Avishai’s approach on JaS is also decidedly cosmopolitan, which in the wrong hands can spell disaster. Fortunately, the trio’s are the right hands, lovingly presenting, as the title suggests, the range of emotion.

ECM is the perfect home for Avishai and JaS, adept as Manfred and co have always been at investigating artistic minutiae with a microscope. More of this, please.

learn more at ECM Records and buy at your local record store or Amazon

 

 

Gerald Cleaver, Nels Cline, and Larry Ochs – What Is To Be Done (Clean Feed Records)

It’s interesting when three master musicians convene in the recording studio for the first time, particularly when it’s a 100% improvised date. What will the mood be? Who will take the lead? Will they listen to each other? Will it be any good?

The three masters in question are Detroit drummer Gerald Cleaver, perhaps known best for his playing with Henry Threadgill or Craig Taborn, Larry Ochs of the ROVA saxophone quartet, and ubiquitous guitarist Nels Cline. Three pieces were recorded in Richmond, Virginia at Gallery5 Arts in late 2016, two of them longer than 20 minutes each. This is not Sunday morning music, which is good because most of the time it is not Sunday morning. What Is To Be Done is primarily a ripping collection of cathartic improvisation, no surprise when titles such as “Outcries Rousing” adorn the back cover. Abundant shredding aside, there is a cohesion to this trio that can only come from reactive listening, plus Cleaver is unafraid to lock into a groove from time to time, which is a plus in my book of improvisation dos and don’ts. (It is worth noting that I have neither sold a single copy of this book, nor bothered to write it.)

Although I dig WITBD as the high-energy and downright exciting result of spontaneous expression, I would be curious to hear these three in a more composed setting. Hint, hint fellas.

learn more at Clean Feed Records or Larry Ochs site and buy at your local record store or Squidco or Amazon

Categories
2018 releases

Michael Formanek & Elusion Quartet, Devin Drobka’s Bell Dance Songs, Jakob Bro, Master Oogway, and Satoko Fujii and Alister Spence

Michael Formanek & Elusion Quartet – Time Like This (Intakt Records)

There is an ominous cloud permeating Time Like This, the new and first release by bassist and composer Michael Formanek with his group Elusion Quartet. Titles such as “The New Normal”, “This May Get Ugly”, and “The Soul Goodbye” speak loudly about our current political predicament. That said, it’s hard to imagine music being made since November 2016 to be anything but glum.

The seven Formanek originals on the album also exude a density and complexity, all while leaving ample room for this top-shelf ensemble of saxophonist Tony Malaby, pianist Kris Davis, and percussionist Ches Smith to freely emote and explore, in a way not dissimilar to Coltrane Quartet’s “Alabama” … as they do on the album opener “Down 8 Up 5”.

Serious times call for serious measures and bearing witness and commiserating are crucial first steps in exacting socio-political change. Formanek and company have done so with their art at the absolute highest level on Time Like This and for that, this listener is most appreciative.

learn more at Intakt Records and buy at your local record store, bandcamp, or Amazon

 

 

Devin Drobka’s Bell Dance Songs – Amaranth (Shifting Paradigm Records)

Not only is Amaranth Milwaukee drummer Devin Drobka’s debut album as a leader, it is also an impressive showcase for his adept writing and versatile playing. Released on the Minneapolis label, Shifting Paradigm Records, this is a collection of effective compositions deconstructed with inspired improvisation, making for a sound that isn’t quite like anything out there today.

Drobka’s group Bell Dance Songs weaves a tapestry of sonic goodness that resides primarily outside of the constraints of time keeping. The triple sax threat of Chris Weller, Patrick Breiner, and Daniel Blake absolutely tear it up and then sew it back together again with the acumen of a somewhat incensed but highly skilled fiber artist. Boston bassist Aaron Darrell completes the rhythm section with Drobka and is the anchor by which the ship escapes the tempest of raging waters.

On Amaranth, close friends gathered to make art that is meaningful to them. I hear a love for the music and between the musicians that is both pleasing and refreshing. More of this, please.

learn more at Shifting Paradigm and buy at your local record store, bandcamp, or Amazon

 

 

Jakob Bro – Bay of Rainbows (ECM Records)

The music of Danish guitarist Jakob Bro is an exquisite dance and it is never bettered than when the consummate master Joey Baron is behind the drums, especially with a pair of brushes (or anything really…or nothing) in his hands. As on 2016’s stellar Streams, this is the case on Bay of Rainbows, the new live album by Bro’s trio, rounded out by Bro’s “musical soul mate”, rock solid bassist Thomas Morgan.

To take the surface simplicity of this music as anything short of entrancing would be a mistake: what is not played by these three most astonishing listeners is of far greater importance than what is actually played. The tune selection is wonderful and is from Bro’s ever-growing arsenal of originals, going as far back as his independent releases from the late aughts, Balladeering and Pearl River.

The album is named after the deed to a plot of land on the moon given to Bro’s infant daughter, in Latin called Sinus Iridum…a fitting title for a collection of celestial and transcendent sounds at which to marvel from afar.

learn more at ECM and buy at your favorite record store or Amazon

 

 

Master Oogway – THE CONCERT KOĀN (Clean Feed Records)

Master Oogway is the elderly and wise tortoise and now resident of the spirit realm who created the ancient martial-art of king fu and is responsible for the maxim “yesterday is history, tomorrow is a mystery, but today is a gift; that is why it is called the present”…he is also the inspiration for the name of a collective of four Norwegian musicians responsible for one of the more satisfying releases of 2018, The Concert Koān.

Saxophonist Lauritz Lyster Skeidsvoll and electric guitarist Håvard Nordberg Funderud take turns artfully disrupting stasis alongside the telepathic and sometimes psychopathic rhythmic propulsions of Karl Erik E. Horndalsveen and Martin Mellem, double bassist and drummer respectively. It’s not all shrapnel and smoke though: on the substantial “Mørk Materie”, one is lulled into thinking that the time has come to settle in for some typically Scandinavian blissed-out action, but pleasant as it is, the letup is only fleeting as the pummeling vibe returns with a welcome vengeance.

This is a terrific record to ready oneself for the hopeful catharsis of election day 2018, America, due in no small part to Funderud’s ferocious guitar tone and playing, at times reminiscent of McLaughlin’s work with Lifetime or Ribot’s Shrek project. I am very much looking forward to hearing what the future has in store for him and for Master Oogway.

learn more at Clean Feed and buy at your local record store or Amazon

 

 

Satoko Fujii and Alister Spence – Intelsat (Alister Spence Music)

On the staggering ninth of twelve 2018 releases celebrating Japanese pianist and composer Satoko Fujii’s 60th birthday, she has rung in another year of fruitful musical explorations in top form! The effect of Intelsat, a duo with Australian keyboardist Alister Spence, is situated along the lines of Musique concrète and film noir: intricate mystery leads to great wonderment.

The material is culled from a September 2017 performance at Intelsat Jazz Club in Kiracho, Nishio, Japan, and evidences a workout for the improvisational instincts that these two adventurous performers have in abundance. Both Fujii’s piano and Spence’s Fender Rhodes are dutifully prepared for maximum expressivity that makes for, at times, a totally alien soundscape.

When two musicians from somewhat disparate scenes convene, one never knows quite what one will get. While this is not Fujii and Spence’s first duo performance together, it is their first duo release. The reason that this improvisation works is the same reason that it always works: the musicians are actually listening. Here’s to more actual listening and more duets between these two!

learn more at Alister Spence Music and buy at your local record store, CD Baby, or Amazon